The National Gallery in Prague is proud to present the highly acclaimed film installation *Manifesto* by German artist Julian Rosefeldt.
The 13-channel film installation *Manifesto* pays homage to the moving tradition and literary beauty of artist manifestos, ultimately questioning the role of the artist in society today. *Manifesto* draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, Dogma 95 and other artist groups, and the musings of individual artists, architects, dancers and filmmakers. Passing the ideas of Claes Oldenburg, Yvonne Rainer, Kazimir Malevich, André Breton, Elaine Sturtevant, Sol LeWitt, Jim Jarmusch, and other influencers through his lens, Rosefeldt has edited and reassembled thirteen collages of artists’ manifestos.
Performing this ‘manifesto of manifestos’ as a contemporary call to action, while inhabiting thirteen different personas – among them a school teacher, a puppeteer, a newsreader, a factory worker and a homeless man – Australian actress Cate Blanchett imbues new dramatic life into both famous and lesser known words in unexpected contexts.
Rosefeldt’s work reveals both the performative component and the political significance of these declarations. Often written in youthful rage, they not only express the wish to change the world through art but also reflect the voice of a generation. Exploring the powerful urgency of these historical statements, which were composed with passion and conviction by artists many years ago, *Manifesto* questions whether the words and sentiments have withstood the passage of time. Can they be applied universally? And how have the dynamics between politics, art and life shifted?
The Berlin-based artist Julian Rosefeldt is internationally renowned for his visually opulent and meticulously choreographed moving image artworks, mostly presented as complex multi-screen installations. Inspired equally by the histories of film, art and popular culture, Rosefeldt uses familiar cinematic tropes to carry viewers into surreal, theatrical realms, where the inhabitants are absorbed by the rituals of everyday life, employing humour and satire to seduce audiences into familiar worlds made strange.
*Manifesto* has been co-commissioned by the ACMI – Australian Centre for the Moving Image Melbourne, the Art Gallery of New South Wales Sydney, the Nationalgalerie – Staatliche Museen zu Berlin and the Sprengel Museum Hanover. The work is co-produced by the Burger Collection Hong Kong and the Ruhrtriennale. It was realized thanks to the generous support of the Medienboard Berlin-Brandenburg and in cooperation with Bayerischer Rundfunk.
This cultural event is held as part of the Echoes of the [Czech-German Cultural Spring 2017](http://www.goethe.de/ins/cz/prj/kul/deindex.htm) – the cultural initiative of the [Embassy of the Federal Republic of Germany in Prague](http://www.prag.diplo.de/Vertretung/prag/de/Startseite.html), [Goethe-Institut in Prague](https://www.goethe.de/ins/cz/cs/index.html), [Czech-German Fund for the Future](http://www.fondbudoucnosti.cz/) and the Czech centres in Berlin and Munich in cooperation with the Ministry of Culture and the Ministry of Foreign Affairs of the Czech Republic.
 
 
Curator: Adam Budak
Project manager: Peter Sit
Architect: Tomáš Svoboda
Graphic design: Petr Bosák, Robert Jansa a Adam Macháček, 2017 Designers
